a+. reiner de jong via
Thursday, 18 December 2008
REK ::Bookcase
a+. reiner de jong via
La Estancia Chapel (Chapel in a Garden)- Simple Stunning Architecture 11
"La Estancia Chapel was designed for a beautiful Mexican colonial garden that caters for weddings."
This simply beautiful garden chapel is located in the town of Cuernavaca,“the city of eternal spring” which is an hour drive south of Mexico City. Previous weddings in the town of Cuernavaca all took place under a light canvas canopy roof since it lacks of chapel. With warm climate, relative proximity to the big city and beautiful gardens, Cuernavaca is a very popular destination for couples from Mexico City.
a+. bunker arquitectura via e-architect
Amazing Artwork From Yulia Brodskaya
"I’m constantly experimenting and evolving, always pushing my style in new directions: my greatest passion is to explore the ways of combining illustration and typography."
- Yulia Brodskaya.
Wednesday, 17 December 2008
Prayer & Meditation Pavillion by Studio Tamassociati- Simple Stunning Architecture 1o
"create an enclave that could be spiritually neutral, yet still evoke a sense of the numinous" in a region that is suffering from religious and ethnic strife.
-Studio Tamassociati.
Planned and designed by Studio Tamassociati, Venice-based Italian architects, it is simply 2 cubes subtlely floating on a large reflecting pool, a powerful symbol of physical sustenance in sub-Saharan Africa, which also separates the pavilion from the hospital and wider world. There is just a narrow walk-path leading towards spaces with no symbols and elements that are specific to only one religion because the Popular Republic of Sudan is a country that, over the past twenty years, has been scourged from numerous Inter-ethnic as well as Inter-religious wars.
"We obviously had to seriously consider the Muslim faith, which is the religion of the majority of the Sudanese, along with the religion’s rules (ablutions, separation of men and women), but we decreased the contextual impact of those rules in order not to make them appear dominant. This was made possible by concealing all symbols and elements that are specific to only one religion. For example, the ablution area is nothing more than a higher water spray that, before entrance, allows for washing without connoting a strong religious symbol, and it is simply perceived as an element of the water pool." -Studio Tamassociati.
Tuesday, 16 December 2008
Mourning House- Simple Stunning Architecture o9
Between understanding the mood of the user, who at that particular moment would not care much to analysis any place for its aesthetic value, and from the design aspect of wanted to create a space that can lift-up spiritual mood, Pascal Arquitectos did not only refered to ancient buidings that were designed for this purpose, as the Egiptian “Mastabas” or some Mayan buildings in Palenque but they were also guided by several groups of Rabbies because of Religious rules and buildings codes in the Jewish Religion are very strict for this kind of places.
"A project of this nature must encourage introspection and peaceful visual harmony through a discrete use of materials and lighting. "
-Pascal Arquitectos
No furniture was used inside this place,
only a floating bench surrounding the room,
that is made out of the same wood used in all the building.
It also serves to hide all of the air conditioning,
speakers and recessed lighting which adds a dramatic touch.
This way the rooms shows no added ornament but
the light and shades playing on the granite volumes.
The ceiling is made of dark cumaru wood and floats without touching any wall
and a skylight puts a highlight on this detail.
a+. pascal arquitectos via via
Monday, 15 December 2008
Yoshitomo Nara
from time to time I am like a child
from time to time I really am a child
from time to time I am like an adult
however (I) cannot truly become an adult
-Yoshimoto Nara
The young and vulnerable, Yoshimoto Nara was often left to entertain himself, playing games and using his imagination to pass time resulting a deep sense of loneliness just like many of Nara's work, where the kids are always engaging in innocuous solo activities: holding a flag, playing in a box, sitting on a potty, holding a book, standing in a puddle. But sometimes they are brandishing sharp little implements--knives and saws. Capturing these scenes in a moment of stillness,
the children look up at the viewer with what seems to be an air of wariness or is it complicity?
do those heavy eyelids indicate post- or pre-nappy time
or do they embody a jaded cynicism,incongruent with the insouciance of childhood?
Each work is an emotional trigger which has different effects on different viewers.
where is this place
how did I come to be here
looking around the restrictive shallows
the light from the sun glitters on the water's surface
I walk slowly while submerged in the water
walking in scattered patterns like the other children
without passing one another
keeping a certain distance
expressionlessly passing by one anotherthere seems to have been the sound of a helicopter above my headregardlessly I continue forward through the shallowswater clings heavily around my legswhile feeling my own existencein the deep deep puddlewhile having a dream of drowning
-Yoshimoto Nara
a+. yoshitomo nara via the-artists.org via christie's via wikipedia